In the midst of the battle of attention, listening devices are multiplying and media consumption habits are constantly changing. New comers are entering the audio game.
To remain relevant and maintain their audiences, radio stations must venture to innovate.
During this session, we offer you to discover innovative ideas and draw on the successful experience directly presented by their initiators: from succesful visual radio shows such as Yu from los40 / Prisa Radio to automatic audiotagging of La Ser news, from conversational success of Chatbot Olentzero from EITB to voice assistants, from Podium Podcast, the largest hispanic podcast platform of Grupo Prisa podcasts to the growing success of Cuonda Podcast, a strong community of independent podcasts in full swing.
A real sea serpent of the French radio industry, the issue of French-language quotas regularly makes headlines. Since the advent of streaming platforms, the fight with terrestrial radios has been uneven because the legal rules are very different. When and how will this situation be clarified? Are the models exactly the same? These are major questions that are still waiting for answers.
- Who trained in DAB+ at INA?
- Coding DAB+ and PAD at 88 kbit / s ... what you need to know
- Audio quality, how to fulfill the promises of DAB+?
- FM transmitters, DAB+ transmitters: what is changing
- DAB+ indoor, outdoor: what powers to cover?
- Broadcasting: do it yourself or entrust it to a broadcaster?
- The multiplex operator: useful, useless?
- And why do not you go train yourself at INA?
While the media have mainly built on the anonymity of users and free content offered to the greatest number on the radio / TV radio networks, the rules of the game have changed with the advent of digital: the possibilities offered by the technology both publishers to offer tailor-made content, and users to consume them on personal terminals (by sharing them), come to reshuffle the cards of the traditional model. At the time of the RGPD, adblocks and hegemonic temptations of the platforms, are we moving towards a private, conversational media where the listener would become his own meta-media?